Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
这便是让人产生“拍电影或者至少是写剧本是如此没门槛的一件事”感觉的那类电影；从头到尾都是惨案，压抑住躁动的吐槽之心，且说甫一开场：诺贝尔奖公布得主和最终授奖之间大致有俩月间隔，若想拒绝有的是时间，希望有此诉求的科学家文学家经济学家等不要做出到了颁奖现场才做决定的操蛋行为。
补标。严肃喜剧，所有设定都很装逼，看的好好笑。
哈哈哈哈是不是因为口碑实在是太差，导致我看的时候期待值已经是负的了，结果意外的觉得还可以甚至有点儿喜欢？？？将回声感应通过致幻的粉末化流动进行视觉化还挺酷的（X战警蓝魔鬼升级版嘛），甚至不那么尴尬地搬来了“子弹时间”，将原本可能会是严重短板的动作戏增加了些许可看性。之前被诟病如基因缺陷一般的叙事，我觉得甚至比《毒液》第一部都要好，抛开对漫威的预设要求去看，这不就是一部典型的八九十年代B级片嘛，只不过恶趣味这块儿欠缺了不少，要是放开去做R级血腥就好了。莱托变身后真的有暗影之王里德古拉内感觉了，而且决战法师系操控蝙蝠就很《德古拉元年》，爱死我了好吗！！！（没辙，我遇到吸血鬼就没标准了哈哈哈哈，比如《范海辛》这种我的心头肉）而且，秃鹫这个彩蛋，虽然有险恶六人组这个趋势，但是也没算打破此前的人设啊？？
当年看完超凡2对邪恶六人组满怀期待，如今被索尼的傻瓜电影策略搞得胃口全无。强贴蜘蛛侠，真就连彩蛋都不会拍。
标准三星片 真不至于难看 但是也是真不好看 白开水的剧情 传统的流程 非常规矩 毫无惊喜 唯一看点就莱托实在是长得太好看了 声音也好听 合理怀疑他本人就是吸血鬼 50的人了连个褶子都没有 吃的什么药打的什么针能不能分享下
吸血侠。似乎漫威自复联4后推出的几个人物越来越水，感觉都是拿着同一个剧本，换身行头加些特效就来圈钱了。两星半
比奇异博士2稍微好这么一点点，开头那段装逼也是完全没必要的凑时长片段，至于人物的合理性，跟没有差不多。
正片一个半小时的英雄电影，打斗什么都占了一半时间了，你指望它塑造什么细腻的人物性格
没有毒液2那么糟糕，声波特效可以，而且马特史密斯的表演非常吸睛，苦大仇深的莱托拼不过。彩蛋跟正片八竿子打不着，但是最精华的部分，就看日后索尼怎么规划，离了漫威估计是够呛。
莱托为了演漫威自我丑化成这样还是溢出屏幕的帅气，剧本没啥好说的还是正邪吸血鬼那套，打斗再来点钢铁之躯，不知道在看蝙蝠侠还是毒液，腻了
不能更无聊了… 2022 了还有年下20岁的工具人女友。索尼还留彩蛋想拓展宇宙… 太惨了
有一些情节太生硬，缺乏过度，剧情缺乏惊喜，看前知后，特别是兄弟反目什么的，怎么看怎么熟悉……
漫威又一反英雄电影，变异版蝙蝠侠又想好又忍不住坏的人设和毒液如出一辙，剧情冲突几乎也都是复制蜘蛛侠与小绿魔相爱相杀那一套，但人家蜘蛛侠好歹有几部电影的情感铺垫，这边呢前期啰嗦了一堆两人儿时的相遇，然后短暂相处后各奔天涯居然还能产生一生羁绊，之后急转直下的转变更像肤浅的配合完成任务，两个警察的戏份更是连工具人都称不上的鸡肋，女主和路人也没啥两样，除了莱托气质和吸血鬼相得益彰外实在找不到太多高光时刻。作为最容易出效果的英雄起源电影都拍的如此平庸粗糙，索尼想快速效仿复联模式来圈钱的目的太过明显，然而又缺乏全面布局和精细铺垫，结果彩蛋连接到《英雄无归》多元宇宙开启，不是异能者的秃鹫没带上装备就来客串了都充满了槽点，强行搞个邪恶六人组的蜘蛛侠宇宙，不过好消息是终于有机会看到《超凡蜘蛛侠》重返大荧幕了。
诺贝尔奖得主化身人造吸血鬼打击罪恶。夸张的能力、丑陋的脸、除了蜘蛛侠相关的彩蛋，基本毫无亮点。
2.5，剧本打磨度不够，小十一的角色完全没有立住，没有让人眼前一亮的地方，流水线式的作品。
对于这个成本来说确实是高性价比了，其实也不难看，就是无聊，剪辑没做好，出个导剪版真的会救命，可惜索尼也没啥野心，结果就拍成了一部网大
剧本老套，基本上没有角色塑造，都是工具人，最后的决斗在一片漆黑中进行，眼睛都快瞎了。
感觉不如和毒液2一起省下来重启超凡😅
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